Joni
Rudesill
relocated to California's sunnier shores after a
long tenure in New York theatre, which included working with Equity
Library Theatre, The Ballet Hispanico
(with the great Geoffrey Holder),
innumerable Off and Off/Off Broadway theatres, and stints in two
theatre companies, Shalom Yiddish Theater and The American Line
(founding member).
Joni has created the Wig & Hair Designs for the Open Fist theatre productions of Lydie Breeze and Speaking in Tongues as well as Colony productions of Dames at Sea, Celadine, No Way to Treat a Lady, Candida, The Immigrant, Stage Struck, The Grand Tour, Gunmetal Blues, The Drawer Boy, Around the World in 80 Days, The Ladies of the Camellias, Accomplice and both Hair & Make-up Design on Clutter: The True Story of the Collyer Brothers Who Never Threw Anything Out (for which she received a Garland Award) for The Colony and James Maitland Stewart at Theatre West.
Joni also created the Make-up Design for the Colony's production of Sherlock's Last Case.
Joni has created the Wig & Hair Designs for the Open Fist theatre productions of Lydie Breeze and Speaking in Tongues as well as Colony productions of Dames at Sea, Celadine, No Way to Treat a Lady, Candida, The Immigrant, Stage Struck, The Grand Tour, Gunmetal Blues, The Drawer Boy, Around the World in 80 Days, The Ladies of the Camellias, Accomplice and both Hair & Make-up Design on Clutter: The True Story of the Collyer Brothers Who Never Threw Anything Out (for which she received a Garland Award) for The Colony and James Maitland Stewart at Theatre West.
Joni also created the Make-up Design for the Colony's production of Sherlock's Last Case.